Archive for Finnius McPhail

And Now For Something Else Completely Stupid…: Critics Corner #2

Posted in criticism, stupidity with tags , , , , , on May 30, 2016 by drayfish

kids uni pic 2

Things, by Sarah Jung (age 2)

Critic’s Corner with guest critic: Finnius McPhail

The lord said, “Let there be light!” and lo, there was light, and it was Sarah Jung’s unbridled masterpiece, Things, an uncompromising depiction of the frenetic symbiosis that exists between theoretical artistry and our most primal instinct of faith.  Drawing upon the intrepid stylisation of early French Impressionism, Jung has laid her canvas bare, heightening this exposure with an evocative cocktail of frenzied passion and unabashed flair, ensnaring the delirious expectation that lies between wonder and revelation.

Expressing a clarity of line and a disparate pulse of colour that neither flippantly succumbs to, nor expressly denies figurative structure, Jung’s composition remains almost detached; yet within this apparent discord arises an aroma of almost mathematic precision.  The desperation within each pen-stroke, the nagging rigidity of colour, and its all-encompassing beauty; there is fury, there is ardour, there are yearnings for the uppermost echelons of glory, and yet Jung never loses the impassioned humanity that has brought such gravity to her best works.

Jung has layered a comprehensive musing upon the ribald synergy of the natural order and the sobering equilibrium of the rational world.  From nothingness, she says, let there come frenzy, but from this visual cacophony let there develop an instinctive symmetry in all its burgeoning splendour.  This work walks the razor’s edge of emotive and artistic expression, and within its framework Sarah Jung (age 2) manages to pry open the belly of a mythic Orphean ecstasy; portraying, in an exhilarating testimony of faith, what centuries of theological tomes have but aspired to accomplish: the scintillating frission of spiritual joy.

Reviewed by Finnius McPhail, Fine Art Critic for ProtoRationale Journal

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And Now For Something Completely Stupid…: Critic’s Corner

Posted in art, criticism, stupidity with tags , , , , , on April 20, 2013 by drayfish

[This past week was my birthday, and so, I will be taking a one week sabbatical to celebrate.  Instead, a good friend of mine, Finnius McPhail, critic in the fine arts for ProtoRationale Journal (a person and publication that I totally did not just make up) will be standing in to offer his analysis of a young, up-and-coming visual artist, four year old Olive Jenkins.]

Olive Jenkins Australia

IMAGE: Australia, by Olive Jenkins, Age 4

CRITIC’S CORNER

Olive Jenkins’ post-modern manifesto, Australia, dissolves the boundaries of contemporary art by forcing the viewer to reinterpret their own placement within a futile dialogue of accumulative knowledge and perception. Jenkins asks us to revisit our inherited ideologies of what modern art should be, and what value it should be granted in our tumultuous political climate. Are we not all the disenfranchised figures that Jenkins depicts adrift in a yawning abyss of baseless rationality?

‘Repent!’ Jenkins seems to demand, for in her merciless canvas we are frozen in awe, transfixed by the horrible clarity of a truth that she compels us to confront. We are alone beneath an unpitying sun, our ‘landscape’ is barren, and we are its disenfranchised, prodigal children, returning home from an aborted quest for meaning, our souls flayed raw by the insistent knowledge that for all our conceptual evolution, we are but scattered ash, flotsam in the gnarled wreckage of a social structure, blind to the futility of self-assessment.

All this Olive Jenkins, Age 4, says in her chilling indictment, through a masterful command of her art. And for this she should be in equal parts celebrated, respected, and perhaps feared.

– Reviewed by Finnius McPhail, Fine Art Critic for ProtoRationale Journal

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